Music publishing administration — the royalties you're owed, found & paid.
Our music publishing administration tracks every stream, broadcast, live show, cover and placement that earns your compositions money — and most of it is never claimed. We register your works worldwide, chase down what's missing, and pay it out clean. You keep 100% ownership.
Streaming is only half
of what your songs earn.
Your distributor collects for the recording. Publishing collects for the composition — the mechanical, performance, sync and YouTube income that never shows up on a distribution statement. Same story if you're a label running catalog through our label services team.
Worldwide Registration
Performing rights registration and mechanical registration for every composition — new releases and back catalog alike — across 80+ territories. Ownership and copyright stay 100% yours.
80+ societies · Full ownershipOne Admin Share, Agreed Upfront
No rate card — what we take flexes with catalog size and sync history, agreed in writing before we register anything. No upfront fees, no annual charges, no deductions buried in the fine print.
No upfront fees · No lock-inSync & New Income
Sync licensing pitched directly to music supervisors for film, TV, advertising and games — placement fees negotiated, backend royalties collected long after the credits roll.
Film · TV · Ads · GamesUnclaimed royalties don't disappear. They sit with societies — then get redistributed to someone else.
If your works aren't registered correctly in a territory, the money your songs earn there is collected anyway — it just never reaches you. After a holding period, most societies fold unclaimed income back into their general pool. Registration is the difference between earning it and donating it.
From sign-up to payout,
in four moves.
You send us your works once. We handle the registrations, the claims, the pitching and the paperwork — you watch the statement.
Register your works
We register every composition — new and back catalog — with collection societies and mechanical agencies in 80+ territories.
Match & claim
This is the royalty collection step: we audit usage data against your registrations, uncover unclaimed royalties, and file claims — including historical periods where societies allow.
Pitch for sync
Your catalog goes in front of music supervisors for film, TV, ad and game briefs that actually fit your sound.
You get paid
Everything reconciles into one itemized statement — publishing income paid out alongside your distribution royalties.
Royalty collection,
source by source.
Publishing income comes from hundreds of sources across the globe. These are the big ones we chase for every work in your catalog.
Performance
Earned whenever your songs are played on radio or TV, performed live, or streamed — collected through performing-rights societies worldwide.
Radio · TV · Live · DSPsMechanical
Reproduction royalties owed every time your composition is streamed, downloaded, or pressed to a physical format.
Streams · Downloads · PhysicalYouTube & UGC
The composition's share of ad revenue when your songs appear in videos, covers, shorts and fan uploads across the platform.
Covers · Shorts · Fan uploadsSync
Sync licensing pays twice: an upfront fee when your music lands in film, TV, ads or games, plus the backend performance royalties every broadcast triggers after.
Fees + backend royaltiesInternational
Income from foreign societies your home PRO doesn't reach directly — collected through our network in every major market.
Sub-published territories+ Much More
Print and lyric licensing, karaoke, in-store play and hundreds of long-tail sources most writers never knew existed.
Hundreds of sourcesMusic publishing administration,
answered.
Every song carries two copyrights: one for the recording, one for the composition (the melody and lyrics). Your distributor collects for the recording. Publishing royalties — mechanical, performance, sync and more — belong to the composition, and they're paid through an entirely separate system of societies and agencies. If nobody administers that side for you, most of it goes uncollected.
No. This is an administration deal, not an acquisition. You keep 100% ownership and copyright of your works — we register, collect, and pitch on your behalf, and you can leave at the end of your term with everything you came with.
Distribution and publishing collect from two different copyrights. Your distribution deal — with us or anyone else — only collects recording royalties from DSPs. The composition side earns separately every time the same song is streamed, broadcast, performed or placed, and none of that appears on a distribution statement.
We don't have a rate card. A solo writer's first single and a 400-song catalog with years of sync history cost different amounts to administer properly, so the admin share gets set per catalog and confirmed in writing before we register a single work. No upfront fees, no annual charges — and we only get paid out of the royalties we actually collect. Miss something, and that's on us, not you.
A PRO membership is performing rights registration for the writer's share only, and mainly in your home territory. It doesn't touch worldwide mechanical royalties, the publisher's share, sync pitching, or registration with foreign societies. As a music publishing company, we work alongside your PRO membership and pick up everything it doesn't reach.
Often, yes. Many societies allow retroactive claims on unclaimed royalties for a limited window — commonly a few years back, depending on the territory. When you register your catalog with us, we file historical claims wherever the rules allow.
Not sure what your catalog is leaving behind? Ask our publishing team, or browse the full FAQ.
What fast sync pitching
sounds like from the inside.
One manager's read on working with our publishing team.
Our sync placement came through their publishing team within a month of signing. That kind of speed usually only happens at the majors.
Publishing income doesn’t collect itself.
Registering a work is step one. Here’s what keeps it earning after that.
We Chase What’s Already Owed
Unregistered or misattributed uses don’t just sit there — our team actively works to match and claim what’s already yours.
One Admin Rate, No Surprise Cuts
Your admin share is agreed before you sign — not renegotiated deal by deal once the money starts moving.
Every Source, One Statement
Performance, mechanical, sync and YouTube income reconciled into one report — not four separate portals to log into.
Sitting on unclaimed royalties?
Get PaidSend us your catalog — we'll register it worldwide, claim what's missing, and put it all on one statement.