Music distribution that pays you, everywhere. Masters stay yours.

Delivery to platforms is measured in hours, and most stores make releases live within a few days of receiving them. That said, we recommend scheduling releases 2–4 weeks out — it gives you time to pitch for editorial playlists, run pre-saves, and let stores fully process the release before day one.

Yes — 100%, always. Distribution through Next is a licensing arrangement, not a rights transfer. Your masters remain your property, and if you ever leave, your entire catalog goes with you.

There's no rate card to send you — what you pay depends on your catalog size, release cadence and which services you actually need, and we walk through all of it before you sign anything. It's a revenue share, not a flat subscription. That's worth knowing if you've run into pitches promising you'll keep 100% of your royalties, because that math balances somewhere, usually in annual fees or per-release charges that show up after you've committed. Ours doesn't work that way: no upfront costs, no per-release fees, no renewal surprises, and analytics, royalty splits, pre-save links and Content ID protection are part of the deal, not billed on top.

Yes. Catalog transfers are routine — we re-deliver your releases using the same ISRCs and coordinate takedown timing with your current distributor so your stream counts and playlist placements carry over without interruption.

Every release can be pitched to editorial and independent curators ahead of release day. For artists and labels who want more, our label services team runs full campaigns — ads, PR and release strategy — on top of distribution.

Monthly. As platforms report revenue, we reconcile it against itemized statements broken down by platform, territory and release. If you've set up royalty splits, every collaborator is paid their share automatically.