Managing Careers, not just releases — worldwide

Artist management services — you make the music. We run the business.

( Strategy · Releases · Brand · Deals · Operations )

Behind every durable career is real management — someone sweating the plan, the deals, the calendar and the money. That's what our artist management services do day to day: treat your career like a business, so your energy goes where it belongs — the work.

Career mode Full-time team
360°Career coverage
100%Your ownership
1Point of contact
01 · Why management

Talent gets you noticed.
Structure gets you paid.

At a certain point, the bottleneck stops being the music and starts being everything around it — the planning, the negotiating, the follow-ups, the fifty small decisions a week. Real career management for musicians exists to absorb exactly that, so the only decisions left on your plate are the creative ones.

A Long-Term Plan

Not release-to-release survival — a 12–24 month career strategy with clear goals, so every single, video and show moves you toward the same place.

Career > campaign

Someone In Your Corner

Deal review and negotiation, partnership vetting and rate-setting by people who know what your leverage is actually worth — before you sign anything.

Negotiated · Not accepted

An Operation, Not Chaos

Calendars, budgets, assets, approvals and follow-ups handled by a team — so opportunities stop slipping through the cracks of a DM inbox.

Run like a business
Our position

Every hour you spend being your own manager is an hour the music didn't get.

The artists who last aren't the ones who did everything themselves — they're the ones who built a team early enough for the work to compound. Our job is to be that team: aligned with your goals, paid from your growth, and accountable to you.

02 · How we work

From first meeting
to full momentum.

Management is a relationship, not a subscription — here's how it starts and how it runs.

01

Audit

We map where you are: catalog, audience, income streams, existing deals and team. No plan survives contact with bad data — so we start with good data.

02

Strategize

Together we set the 12–24 month plan — release slate, audience targets, brand direction, budget — and agree on what success looks like.

03

Execute

Your manager coordinates releases, campaigns, partnerships and negotiations day to day — one point of contact, a full team behind them.

04

Review & grow

Monthly reviews against the plan: what moved, what didn't, what changes. The strategy evolves as your career does.

03 · What we handle

What music artist management
looks like, day to day.

Not a vague retainer — six concrete responsibilities, one manager running all of them, scaled to where your career actually is this year.

Career Strategy

Positioning, goals and a release slate that actually serves them — set with you, then pressure-tested every quarter against what the streaming and audience numbers say, not filed away and forgotten.

Set, then pressure-tested

Release Planning

Every date working backward from release day — playlist and press pitch deadlines, asset delivery, pre-save timing — coordinated with our distribution and label services teams. Call it a release planning manager who treats your calendar like it matters.

Every deadline, mapped

Deals & Negotiation

Distribution, publishing, sync, features and brand offers read line by line before you sign — recoupment, exclusivity, option periods and reversion terms flagged in plain English, not fine print you have to take on faith.

Read the fine print

Brand Building

Visual identity and story built release over release, plus brand partnerships sourced once there's an audience worth paying to reach — not before.

Identity · Partnerships

Money & Royalties

Every income stream — distribution, publishing, sync, brand — checked against monthly itemized statements, so a missed payout gets caught in weeks, not discovered a year later.

Every stream accounted

Team Coordination

Producers, publicists, agents, lawyers, tour and promo contacts — briefed, scheduled and held to deadlines, so the machine runs without you chasing a single group chat for updates.

One point of contact
0°
Career coverage
0mo
Planning horizon
0%
Ownership stays yours
Management FAQ

Questions artists ask us.

Label services works your releases — campaigns, pitching, ads, PR. Management works your career: the long-term plan, the deals, the brand, the team and the day-to-day operations around everything, releases included. Many artists use both; management is the layer that ties it all together.

Management runs on commission — an agreed percentage of the income we actually help generate, scoped to what we're covering for you and locked into the agreement before anything is signed. No upfront fees, ever, and your masters, publishing and brand stay 100% yours no matter what we earn.

Like any independent artist manager worth signing with, we keep the roster deliberately small and look for signal over size: consistent output, a sound with an audience already forming around it, and the work ethic to match a team's pace. If it's too early, we'll say so — and usually point you toward distribution or label services as the right first step.

It's not required, but it's how you get the most out of management — one team seeing your whole picture across releases, royalties and rights moves faster than three companies emailing each other. If your deals live elsewhere, we'll manage around them and advise when they come up for renewal.

You're the principal — we're the operators. Strategy is set together, significant decisions and deals always come to you, and day-to-day execution runs without needing your sign-off on every detail. You'll never learn about a commitment made in your name after the fact.

Management agreements include clear terms and exit provisions — no perpetual ties. If either side wants out, there's a defined wind-down, your catalog and accounts stay yours, and commissions only apply to what was generated during the term as the agreement defines.

Want a straight answer about your situation? Talk to us.

Testimonial

An artist on
working with a team.

A word from one of the artists whose career we work alongside.

Next never made me choose between staying independent and having a real team behind me. My masters are still mine — everything else just got easier.
Mara LuneRecording artist, Cobalt Hour Records
Why Work With Us

Management without the black box.

A lot of management runs on trust alone. Here’s what you actually get to see.

Direct Access, Not a Gatekeeper

Questions go straight to your manager — not filtered through an assistant or a generic inbox.

Every Offer Reviewed Against Your Goals

Deals get checked against what you’re actually trying to build before they’re brought to you — not just passed along.

Everything On One Statement

Management-negotiated income runs through the same itemized reporting as your royalties — not a separate accounting relationship.

Ready to stop managing yourself?

Get a Team

Tell us where your career is and where you want it to go — we'll tell you honestly whether management is the right next step.